Blanche Tilden, Ripple Effect, 2019-21, installation comprising Ripple Effect 01-07, salvaged glass lenses, 9 carat gold, oxidised sterling silver, dimensions variable. Courtesy the artist and Gallery Funaki, Naarm/Melbourne. © Blanche Tilden. Photo: Andrew Curtis.

Summer 2022
’Blanche Tilden: Making Memories and Meaning in Glass'
Art Monthly Australasia

Glass remains an almost magical substance for Blanche Tilden, with its materiality, history, meaning and metaphoric capacity ripe for endless transformation and conceptual and creative possibilities. From her signature works based on the mechanism of the bike chain to her recent necklaces comprised of found and repurposed camera lenses, Tilden demonstrates her extraordinary ability to take objects from one context and set them in another, creating new associations for herself as maker, for the wearer of her jewellery, and for those who experience it as an observer on another’s body.

See Art Monthly Australasia for full article.

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